#human reputation

[rengokussy]

Levi would for sure be the kind of guy to use his scars and injuries to mess with kids.

“How did you lose your eye?”

“I didn’t listen to my mother”

“Why are you missing fingers?”

“This is what happens when you don’t eat your veggies”

[poorly-drawn-mdzs]

Sorry for not having a Year of the Dragon MDZS artwork; Unfortunately, I can only picture Dragon LWJ in this particular flavour.

[markscherz]

Just a few moments from a visit to the aquarium with my son today, courtesy of my sister.

[furiousgoldfish]

'hurt people hurt people' you're saying that once someone's been hurt, all they know how to do is hurt others? Anyone who has been abused is now bound to become an abuser no matter what, because they've gotten hurt? People who are hurt are now brainless hurting machines and can't be expected to do anything else but hurt others?

If any of this was true the victims of abuse would be out there destroying the rest of humanity. Instead we are often exploited, used, retraumatized, stuck in toxic friendships/relationships, all while putting our best efforts into being kind and understanding.

Hurt people hurt people is bullshit. You can get hurt and harm nobody in response. It's what we've been doing for all of our lives. There is nobody too stupid to grasp the concept of not hurting others due to personal suffering. Hurt people hurt people is abusers excuse mantra. Most of us find zero reward in casting harm towards others.

[halstaff]

Confession: obtained.

[musubiki]

recently thinking of changing the aesthetic of madam springs

[draco-glacialis]

Agatha: *kills a villain*

Coven: *shocked*

Agatha: what he deserved it??

Lilia: just because he deserved it doesn’t mean you should kill him. Besides not everyone is as fine with murder as you are.

Agatha: well that’s just because not everyone has been discriminated against by a community that’s built on being different and being discriminated against for it. Not everyone has only ever heard that their never be good; that they are a monster no matter what they do. Not everyone decides to go fuck it I’ll be good in my own monstrous way as a result.

Coven:

[mxtxfanatic]

So @fireandgrimstone and I once had a discussion about how mxtx handles Xie Lian’s crossdressing in tgcf, the gist of which was whether or not it was falling into a gender essentialist trope ("you can always tell when a man is pretending to be a woman!") despite how much of the story tackles a kind of gender fluidity amongst other characters. I said I’d return to it once I reread it again to see how I felt reading those bits in context, so here I am!

The first instance of Xie Lian cross-dressing in the story is during the very first mission: the ghost bride. In order to find out who is kidnapping brides in the area, Xie Lian dresses like a bride to act as bait. When he first gets dressed, this is how he is described:

If you asked anyone to come and see, they would be able to tell with a glance that this was a young boy with a gentle and handsome looking face.

—Chapt. 6: The Ghost Holds a Wedding, The Crown Prince Climbs Onto the Marriage Sedan (Part 1)

You can "tell" that he is still a man, even as he wears the wedding outfit, we are told. However, later on, Little Ying comes and helps fix up Xie Lian so that he looks more like a bride. When next the others see his face, this is how he is described:

How could Xie Lian have known that a girl’s skill in make-up created legendary and mystifying results? Little Ying had only taught him how to fix his eyebrows by drawing them elegantly, how to powder his face with some white powder and how to dot his lips with deep, red rouge. However, if he didn’t speak, Xie Lian looked exactly like a gentle, soft and beautiful young lady.

—Chapt. 9: The Mountain’s Locked Ancient Temple, The Forest of Hanging Corpses (Part One)

A little bit of makeup and reshaping his outfit has transformed Xie Lian from someone you could tell was a man "from a glance" to someone who "looked exactly like a gentle, soft, and beautiful young lady." Even the crowd of men acting as "guards" could not tell Xie Lian was a man, and at no stage in this entire arc is Xie Lian uncomfortable with the act of cross-dressing, at being honestly mistake for being a woman, or Mu Qing and Feng Xin's negative reactions. He is indifferent to it all.

The next major moment we see him cross-dressing is when he is running away from the group of cultivators hunting Hua Cheng:

Behind the curtains sat a woman, her long raven hair hung a loose bun, her neck slender and white with a black choker and a thin silver chain circled around. Her robe was half stripped, revealing her snow white shoulder and a small bit of her back, looking to drape and fall, making one’s face burn and heart race.

When the curtains were pulled, the figure of that woman trembled, covering her face with her sleeves, and whimpered softly, as if she was shocked and terrified by such a sudden and brutish act. Heaven’s Eye instantly dropped the curtains, “I-I-I-I-I-I’M SORRY!!!”

The band of monks and cultivators who followed after Heaven’s Eye all screamed too, “WHAT A SIN, WHAT A SIN!” And they all covered their own eyes. Using this chance, that ‘woman’ whipped around -- who else could it be but Xie Lian? Hua Cheng was sitting in his arms and was only blocked from view by Xie Lian’s body. Although Xie Lian was a man and his shoulders were wider than the average woman, but he only pulled down half of his robe to expose the best angle, creating the perfect effect.

—Chapt. 137: Upon Barren Hills; Rioting the Black Hearted Inn (Part One)

Just as with the makeup and reshaping of the bride outfit, wearing a woman's robe, stripping to show off some skin at an angle, and whimpering a little was enough to trick this group of men into thinking he was a woman. The cultivators are so embarrassed, they run away, but even the passerbies who catch a glimpse of Xie Lian fleeing later in that same outfit have the vague idea that it is a "woman" they're seeing running with a child. Then, in the same outfit, Xie Lian enters an inn and we get this hilarious interaction:

A moment later, the door opened, and several attendants came forward to greet, their faces full of smiles, “Good si...”

They had wanted to say ;good sir’, but seeing the person before them was wearing women’s robes, they changed, “Mis...”

Before the word left their lips, Xie Lian emerged fully from the darkness with Hua Cheng in hand. If there’s a child, then it wasn’t an unmarried lady, so they changed again, “Mada...”

‘Madam’ was still half on their lips and Xie Lian’s face was fully illuminated by the light within the inn. Although this person was dressed in women’s robes and had a gentle countenance, if they must be honest, no matter how they looked it was the face of a man. The attendants all became mute, and it was a good moment before they went back to their original greeting, “Good sir, please come inside.”

—Chapt. 137: Upon Barren Hills; Rioting the Black Hearted Inn (Part One)

None of the attendants are able to tell Xie Lian's gender just from a glance. They rely on context clues (his clothes, the fact that he's with a child, then finally, his bare face) to finally decide that he is a man. Xie Lian is not discomforted by this either, not even to correct them. In fact, the narrative says that he feels no mental or physical discomfort as he is. Mind you, in this world, it is established that gods can and do change their physical forms to match a certain gender, but despite having the power to do so, not only does Xie Lian not take this route but he is still able to successfully appear as a cis woman to both strangers and his closest friends with only the minimalist of effort. Neither he nor the narrative place any expectations on how he "should" feel being man mistaken for a woman, nor do they waste time trying to explain to other characters why he is dressed as one like what one would usually see with this trope. Xie Lian simply exists in the form most comfortable to him and changes minor appearances to produce the aesthetic that he needs when he needs it. No more explanation is needed.

The thing about Xie Lian, too, is that while he is assured in his own gender, this does not translate into him being adverse to either weaponizing gender to reach a certain goal (such as being bait in a mission or hiding from enemies or just finding a dangerous object) or others doing as they please. Shi Qingxuan repeatedly attempts to wheedle Xie Lian into transforming into a female form with him, but though Xie Lian refuses for himself, he never shows disgust that Shi Qingxuan prefers his female form, unlike other gods.

Due to all of this, I don't see the repeated mentions of Xie Lian's maleness within these cross-dressing scenes as meant to reinscribe the gender binary but, instead, to impress upon readers how simple it is to throw gender into question. Gender is just that malleable and its perception so easily manipulated that even one of the most manliest men in the story can be viewed without a shadow of a doubt as a woman. Xie Lian is proof.

[profounddefendorcrusade-blog]

Starlo's personality

I'm still confused about this man's 'true self,' gotta admit. How much of 'himself' IS there in 'North Star'?

What we know about real Star:

He's a nerd/geek obsessed with westerns; that's where he got the inspiration to build WE

He looks different than with the hat on and used to wear braces

Was shy in his teenage years around Ceroba (no idea how he acted normally) + couldn't confess to her

His mom (after killing him) says how he's never been the one to follow rules. I wonder what she meant by that. Rules, like, you're supposed to hate humans like everyone else or rules, like, no sneaking off to practice your shooting and lasso skills? Both?

Ed describes the 'old him' as a fearless leader and as a monster who could 'make his own fun in the little things' (you mean he used to be more humble but at the same time remained an ambitious risk-taker?)

Is insecure about where he comes from and what he looks like

We don't have enough info to know what he was like as a kid. I'm curious if absolutely everything about North Star is the opposite of Starlo (I don't think it is); both are kind and protective. Still, I can't help but wonder if the Starlo after Showdown, in both routes, is the real him or not. Maybe 50% yes and 50% no

Just from the end credits, the only thing I got about him was that he's kind and friendly and optimistic and charming (North Star is this way too, but more exaggerated). Nothing new

So maybe Starlo IS North Star, but more modest (aka not as exaggerated)

I'm curious about your thoughts guys.

Also I forgot to mention how he wanted to plan a PARTY for Kanako, in neutral says that the PARTY in the saloon was great (and the letter he sent was pretty charming), wants to accompany Ceroba in the Steamworks, is open about how he feels (immediately openly confronts Ceroba and calls her out; he's assertive), not afraid to get physical if it means protecting Clover & Martlet, can be pretty loud (like when he spotted Clover after sparing him in neutral, he was like "DEPUTY!!!"

I'm left wondering if all this is the real him or not. I think it is. Just maybe toned down a bit :) It's the only explanation for the fact he's been doing all this for a really long time and never showing signs of wanting to stop/that it exhausted him

[iwritenarrativesandstuff]

I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.

It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.

(Long post under the cut. I'm so sorry I just kept going.)

First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.

Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".

The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.

Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.

So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.

Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers

Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly

Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.

Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy

...do you... see what's going on here?

(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)

The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.

The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.

Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.

Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.

But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.

Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.

Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?

Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.

Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.

Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)

Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.

Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.

As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.

...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.

[aleksanderscult]

Was the Darkling that much of a liar as the fandom makes him to be?

Because it's literally one thing for a character to truly lie every other page and another for the reader to have been tricked by the narrative that he's a compulsive liar.

If we thoroughly search and find his lying moments in the Grisha trilogy then it would be these:

“I don’t want to answer you.”

“Oh.”

Then he sighed and said, “One hundred and twenty. Give or take.”

After a moment, the Darkling said, “My great-great-great-grandfather was the Black Heretic, the Darkling who created the Shadow Fold.”

“How?” I pleaded. “How am I supposed to do that?”

“By helping me destroy the Shadow Fold.”

“What’s Baghra’s power, anyway?”

“I’m not sure,” he said. “I think she was a Tidemaker.”

“Because every day we don’t find the sea whip, I’ll peel away a piece of her skin. Slowly. Then Ivan will heal her, and the next day, we’ll do it all over again.”

“Where are they? ” I screamed.

“They are safe. For now. They will be on my skiff when I enter the Fold again.”

“As hostages,” I said dully.

He nodded.

So in the whole trilogy the Darkling lied six times. Four if you count the scenes before he was revealed as the "evil guy".

His first real conversation with Alina is considered both by the protagonist and the fandom as manipulative and shady. He lied about his identity, age and true goal. Now let's take it from the beginning.

The fact that he lied about his age and identity wasn't something personal against Alina. This is the exact same lie he had been telling the world for four hundred years as a means of survival and staying as head of the Grisha. Also, did we really expect him to say "Yeah, I was the one who created the Fold. Hehe what can you do?☺️". We would be lying too if we were in his place.

Another thing that needs to be understood here is that the Darkling was testing her. He was trying to see what her personality is like, how does she feel about her newfound powers and, most importantly, what has she heard and how does she feel about him. I'm pretty sure that he was kinda sure that Alina would have been influenced by the people's views about him. And he was right. Alina was afraid of him thanks to the rumors and superstitions that surround him. If she also knew who he truly was then she would run from that barn ASAP.

Now let's see the next lie that the Darkling spat out. The one where he told her that he needs her to destroy the Fold. This was another test. Trying to see how she would react if she knew her true purpose as the Sun Summoner that everybody expected.

Apparently she failed that test as well:

Alina panicked when she heard that the realm's future lies on her shoulders, when she understood that she would be the one to destroy the Shadow Fold. Imagine how she would react if the Darkling said "Okay look. I need you so I can use the Fold against some nations, not destroy it". Yup, she would scream and run.

There's no way the Darkling would say the truth to her, especially since he saw how frightened and prejudiced she was about him and how clueless she was about the whole economical and political situation Ravka was at this point.

He was waiting for the Sun Summoner to be born and emerge for centuries. He would never risk losing her now because of her narrow views and some brutal truths. It was a matter of life and death for him in order to protect his country. And this girl was too young, too naive to understand.

So no. He didn't do it because he had something personal against her or to seduce her. He did it for the good of his country so this girl would stay no matter what.

Sadly, it's evident that in the end the Darkling's suspicions proved to be right. She run away. And when he found her he chastised her about her selfishness and her inability to see the bigger picture.

“Did you deserve my trust? Baghra whispers a few accusations in your ear, and off you go. Did you ever stop to think of what it would mean for me, for all of Ravka, if you just disappeared?”

“You didn’t give me much choice.”

“Of course you had a choice. And you chose to turn your back on your country, on everything that you are.”

“That isn’t fair.”

“Fairness!” he laughed. “Still she talks of fairness. What does fairness have to do with any of this? The people curse my name and pray for you, but you’re the one who was ready to abandon them. I’m the one who will give them power over their enemies. I’m the one who will free them from the tyranny of the King.”

The Darkling was right, she did have a choice. I once heard a line from a show that said "In life we always have a choice. But sometimes it's easier to think that you don't" and it applies to Alina here perfectly. She had a choice but she said to herself that she didn't. And by doing so, she only proved Aleksander right. She can't handle the truth.

Now the next lie is when he lied about his mother's powers. Don't have to dwell here because it's the same thing as before. It's the same lie he tells everyone "I don't know. I'm not sure". The Darkling (publicly) has distanced himself from his mother and keeps that relationship a secret. It's just part of his persona (just like his age, his identity etc.). Again nothing personal against Alina.

The next one is just some clever emotional manipulation. When he made clear to Mal that he would curve Alina's skin he knew that the threat was just enough. He has seen them act all cutie-cutie and being sacrificial for the sake of each other to a disgusting point so he took advantage of that (I say good for him).

And the last one is just my personal favourite if you ask me. That strategy he displayed there was my most favourite that he ever showed. Since he knew again how the threat would be enough for Alina to come to him like fish on a bait. He embraced his villainous persona and pretended that he would hurt those children if she didn't surrender to him. But he knew better. Mindless heroism would just bring her right into his net and again he was proved right until everything fucked up and died.

In his own words:

“I know what you thought, what you’ve always thought of me. It’s so much easier that way, isn’t it? To puff yourself up with your own righteousness.”

Just some delicious shit actually.

So, in conclusion, no. He wasn't a compulsive liar. But when he needed to lie he did and only for (as he saw it) selfless reasons. In fact, he mostly either evaded the truth or spoke truth. So misinformation just spilled that man's reputation lmao.

[bloodysparklez]

you ever wonder how geto would feel about all the bits kenjaku does with his body

[luofunpc]

[k0ri0]

This was a cloaking brooch comic that i WAS supposed to post last night but my damn krita KEPT CRASHING IT WAS SO FRUSTRATINGDFGMN;DFGK

i am very obsessed about the concept of the guys going to school post movie and just try to stay undercover with just not normal long term injuries lol.

[theultimatekamehamehavoc]

ᗩᑕᑎE IᑎᐯᗩᔕIOᑎ